Category Archives: Book Review

Ken Follett’s WINTER OF THE WORLD

Winter_Of_The_WorldI am a fan of Ken Follett and I’ve enjoyed reading several of his novels, including FALL OF THE GIANTS. So I was looking forward to reading WINTER OF THE WORLD, but it didn’t seem up to his usual standard.

What struck me first was how Mr. Follett’s prose is riddled with tells. Now, I have written a lot about this subject before, and readers of my previous posts know that I’m not against tells providing that they don’t annoy the reader. There are two things to remember about them if you want to use them. First, it helps if they have a voice, a personality or a particular point of view. Neutral reportage doesn’t do in a novel. Secondly, if you can’t do that, you MUST use them SPARINGLY.

Unfortunately, Mr. Follett’s tells were of the neutral reportage variety, so the effect was to dampen down the emotion of the story, which makes the reader LESS emotionally engaged. Not what you want if you are a writer.

But the problem with the tells masked an even deeper problem with this novel, which was the lack of characterization of the main characters. As others have remarked, the vivid personalities from the last novel take a back seat as their children take center stage. What a pity, therefore, that the children are so not interesting! Let us hope that their children, who will feature in the next novel, are as interesting as their grandparents were. Three stars.

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TO DIE FOR: A NOVEL OF ANNE BOLEYN by Sandra Byrd

To_Die_For

The trouble for the writer, of writing yet another book about Anne Boleyn, is that it is yet another book about Anne Boleyn and consequently the bar is set formidably high for success. I am sure Ms. Byrd believed she had hit upon the winning formula when she plucked Meg Wyatt from obscurity to become the narrator of her novel TO DIE FOR: A NOVEL OF ANNE BOLEYN.  However, I don’t think she succeeded. In what follows, I am going to articulate what I think the problems were.

The main problem for me is that the narrator Meg Wyatt is not an interesting person. Unlike Mary Boleyn, the narrator of THE OTHER BOLEYN GIRL, Meg Wyatt hasn’t been the mistress of both the King of France and the King of England. Not only doesn’t she have any knowledge of Anne’s life at the courts of Burgundy and France, she has no way of knowing much about Henry VIII, the man, behind the glittering facade. Philippa Gregory’s choice of Mary Boleyn as the narrator for her novel was brilliant, precisely because she is the perfect foil for Anne, leading such a similar life, but being such a different person.

The consequence of all this is that the beginning of the novel, which portrays the friendship between Meg and Anne, is far too slow. The engine of the novel didn’t start for me until page 67, when Anne embarks on her relationship with Henry VIII.

Another big problem is that Ms. Byrd has nothing fresh to say about Anne Boleyn. What made Robin Maxwell’s MADEMOISELLE BOLEYN so compelling, is that she unearthed some new evidence that suggested that Anne Boleyn was much younger than had previously been thought (born in 1507, as opposed to 1501), and that she was a very young child (six years old) when she was sent to the court of Duchess Margaret of Burgundy in 1513. Subsequently she went to the court of the King of France around the time that he married Henry VIII’s sister Mary Tudor in 1514, and then she stayed on in France until 1522, not coming back to England to be presented at the court of Henry VIII until she was 15 years old.

Now, I am not an expert on Anne Boleyn, so I don’t know if she was born in 1501 and spent her youth in England as Sandra Byrd would have it, or was born in 1507 and spent her youth on the continent as Robin Maxwell says. However, I have to say that I found Ms. Maxwell’s novel far more interesting, because it provided a fresh new take on Anne Boleyn’s life that explained so many things.

Take the question of age. It is not known when Anne Boleyn was born, but I think it more likely that she was born in 1507 rather than in 1501. After all, why would a King of England, desperate for a son and heir, move heaven and earth for a woman of 24 or 25, when she would be considered on the shelf by the standards of the day? Doesn’t it seem more likely that he’d turn the world upside down for an 18 or 19-year-old, who would have her best child-bearing years in front of her?

Then there is the question of where Anne Boleyn actually was before she caught King Henry’s eye. Again, I have to say that I find it much more plausible that she’d been brought up on the continent, and blew into Henry’s court as an exotic breath of fresh air from France, rather than a young woman who’d been reared in England, and would be just another English beauty.

The last problem I’m going to talk about is the most puzzling one. This is not the first time I’ve wondered why Simon & Schuster doesn’t provide better editorial help for its authors. Why does it allow such obvious anachronisms to stand? Why does it allow Ms. Byrd to get away with stating that Anne’s father was visiting Belgium, when in Anne’s day, Belgium didn’t exist and was referred to either as Flanders or Burgundy (depending on exactly where you were)?  Why does Simon & Schuster allow this novel to open with a minor character stitching muslin? Surely muslin wasn’t known until the 17th century at the earliest, when the British started connecting with people from the Indian subcontinent. Why on earth do we have Meg Wyatt remarking that Anne habitually wore cotton stockings, when cotton wasn’t common until North America became established as a British colony in the 17th century?

Am I missing something? If so, I wish that Ms. Byrd had addressed the new research she’d unearthed that would prove me wrong, when she wrote her Author’s Note.

I see, from glancing at other Amazon reviews, that many readers enjoyed this novel, and I’m glad they did. I’m sorry that it didn’t work for me. Two stars.

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U IS FOR UNDERTOW by Sue Grafton

U_Is_For_UndertowI don’t know when I first started reading the Kinsey Millhone series, but I was hooked by A IS FOR ALIBI, and have enjoyed the subsequent series enormously. It take a lot of work and talent to write one successful book. But to have produced twenty-six really good reads is amazing.

 

I hadn’t read Sue Grafton for a long time, but I happened to be in a doctor’s office recently when I noticed U IS FOR UNDERTOW sitting on the floor under a chair. I picked it up and was immediately hooked. For those of you reading this now who want to be writers, pick up this book and read the beginning, then study it. It is a prefect example of how to hook a reader.

 

Now I am not really a reader of mysteries, but I left my doctor’s appointment dying to know what happened next, so I immediately bought it on Amazon and read it in about a day. This novel is about a character who may be suffering from an implanted memory. Or he might be telling the truth. At the beginning, it’s really not clear which, but Kinsey Millhone is determined to find out, and there is a very dramatic scene at the end in which she saves someone’s life. Which I won’t say more about so as not to spoil the story.

 

In any event, because the protagonist of this story is so unreliable, Ms. Grafton has to layer in other people’s points of view, so that the reader can make sense of what is going on. Again, if you want to write yourself, study these passage carefully as they are a good example of how to use this technique successfully. (Many new writers find this hard to do right).

 

If you love mysteries, read this book! Five stars. A bookclub recommendation.

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THE WARBURGS by Ron Chernow

The_WarburgsRon Chernow’s THE WARBURGS is a long, 722-page book, about a family of bankers, who originated in Venice with the name of del Banco. They fled Italy in the 16th century when Venetian Jews were herded into the ghetto, and went to Warburg, Germany. Taking the name of that town, they moved to Altona near Hamburg in the seventeenth century before moving to Hamburg itself in the eighteenth century, opening the still-privately-owned bank there in 1798.

 

As you would expect, this is a rich, sprawling history with many interesting characters. But Mr. Chernow does a fine job of delineating the various family members with their quirks, oddities, charms and selfishnesses, not to mention all the innumerable family feuds. There are a great many characters to take in, and I would have been lost without the excellent family trees placed at the beginning of the book.

 

This book also traces the tragic fall of the Warburgs during the Nazi regime, as well as their astonishing comeback in the latter half of the twentieth century. Today, the family bank M. M. Warburg that was started in 1798 is still there, in its historic location on Ferdinandstrasse in Hamburg. Five stars. A bookclub recommendation.

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REAL WORLD SAFETY FOR WOMEN by Christine Schlattner & Michael Linehan

Real_World_SafetyREAL WORLD SAFETY FOR WOMEN by Christine Schlattner and Michael Linehan is one of those books that every woman should own, and should lend to their daughters. It is a well organized, well thought out book, that starts with psychological issues and gradually prepares women to consider fighting back to safeguard themselves and their property.

The heart of the book is Section 2, titled “The Seven Keys to Personal Safety,” which covers personal well being, setting boundaries, fighting back and how to nurture your belief in yourself.

Here is what the authors have to say about their approach:

Personal safety is about how you feel inside, and about having the self-respect and personal strength to stand up to those who cross your emotional or physical boundaries. Real safety is about igniting the fire inside you – the combination of your love for yourself, your survival instinct, your personal power, and your desire to live and to grow.

Highly recommended for women of all ages. Five stars. A bookclub recommendation.

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THE SEVEN BASIC PLOTS by Christopher Booker

TheSevenBasicPlotsTHE SEVEN BASIC PLOTS by Christopher Booker is a provocative book. The basic idea is that any story can be boiled down to one of seven plots:

  • Overcoming the Monster
  • Rags to Riches
  • The Quest
  • Voyage and Return
  • Comedy
  • Tragedy
  • Rebirth

What is excellent about this book is the amount of learning involved and the interesting connections made between authors as disparate as Jane Austen and Luigi Pirandello. However, this is a big book at over 700 pages, and I think that part of it could have been condensed.

Like other readers, I believe that the strength of the book lies in Part One of the book, titled THE SEVEN GATEWAYS TO THE UNDERWORLD. The following three parts are less strong, mainly because of Booker’s contention that any narrative, such as Mary Shelley’s FRANKENSTEIN, which doesn’t conform to what Booker takes to be archytypal norms, is fatally flawed. That this can’t possibly be true is borne out by the fact that is ranked at number 59 on Amazon’s list of Bargain Books. Readers continue to love this book some 200 years after it was published. So it obviously isn’t “fatally flawed” for them.

If you are interested in reading a provocative interesting account of stories, and how they might relate to our psychology, this book is for you. For my part, I think that a strong editorial hand was needed on Parts Two, Three and Four, which were too often filled with silly Freudian cliches. Three stars.

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TRAVELS IN THE REICH 1933-1945: FOREIGN AUTHORS REPORT FROM GERMANY

Travels_In_The_Reich
This volume performs the feat of looking at Nazi Germany in a new way. TRAVELS IN THE THE REICH, 1933-1945: FOREIGN AUTHORS REPORT FROM GERMANY is an anthology of the letters, diaries, personal reflections and excerpts from published works by authors such as Virginia Woolf, Thomas Wolfe, William Shirer, Samuel Beckett and others, who visited or lived in Germany between the years 1933 and 1945.

Some of these entries will make you cringe, some are just first-rate writing. But what is surprising is how much these foreigners were aware of the turn Germany had taken when Hitler came to power in 1933. As Christopher Isherwood put it: “I can’t altogether believe that any of this has really happened.”

Speaking for myself, I discovered two authors I had not known before. I loved getting to know Martha Dodd, the daughter of the U.S. Ambassador to Berlin from 1933-1937, as she described various incidents she witnessed, including the Night of Long Knives in June 1934, which occurred on a hot, beautiful day in Berlin. I was in awe of the power of the writing of Thomas Wolfe, whom I had never heard of before. Here he is describing a train journey that he took when he left Berlin for the last time. At the Belgian border, a fellow passenger runs into difficulties:

They marched him right along the platform, white as a sheet, greasy looking, protesting volubly, in a voice that had a kind of anguished lilt. He came fight by us. I made a movement with my arms. The greasy money sweated in my hand and I did not know what to do. I started to speak to him. And at the same time I was praying that he would not speak. I tried to look away from him, but I could not look away. He came toward us, still protesting volubly that everything could be explained, that all of it was an absurd mistake. And just for a moment as he passed us, he stopped talking, glanced at us, white-faced, smiling pitiably, his eyes rested on us for a moment, and then, without a sign of further recognition, he went on by.

Five stars. A bookclub recommendation.

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TO THE BITTER END by Hans Bernd Gisevius

To_The_Bitter_EndTO THE BITTER END: AN INSIDER’S ACCOUNT OF THE PLOT TO KILL HITLER 1933-1944 is an interesting take on Hitler and his dictatorship, written by someone who was a quiet maverick and mischief-maker, and also a somewhat unreliable narrator.

 

Hans Bernd Gisevius wanted to be head of the Gestapo in 1933, when he was a young and up-coming lawyer. He was rejected. Perhaps that rejection stung, or maybe, he was revolted by the Night of Long Knives, which took place in June 1934. In any event, he became disillusioned with Nazism, and by 1937 was part of the “Schwarze Kapelle”, a shadowy group of people gathered around Admiral Wilhelm Canaris, ostensibly head of the Abwehr (German intelligence) but in actuality gathering around him people who devoted their lives to quietly resisting Nazi rule.

 

And so File:Gisevius_2_460426_NARAGisevius is well placed to discuss not only the Oster Conspiracy of 1938, but also the July 20 plot of 1944, both attempts out of many to assassinate Hitler. Alas, the only person who successfully assassinated Hitler was Hitler himself, and many had to pay the price.

 

Gisevius does not come across as a pleasant person, he is too sly and devious for that. But he does provide many astute observations about Nazi rule. What I found most memorable about this book was his account of how Hitler’s government lurched from one crisis to another. Here is a description of the beginning of the second world war:

 

Our mood, however, was tinged with fatalism; we no longer doubted that the marching orders would be issued. Although we had virtually abandoned hope, Schacht and I waited throughout the day, firmly resolved that the moment the command was given we would try one last desperate step. Twice Schacht tried to see Halder of Brauchitsch. Both times he was refused. Everything was hanging in the balance, they declared; there would be no point to a conversation.

Around four o’clock word reached the Abwehr that the order to advance had been given. Admiral Canaris’s key position by no means entitled him to any priority in receiving news of important decisions. We got into Schacht’s car to hunt up Thomas, at his home perhaps. After a painful wait of more than half-an hour, we saw Oster instead of Thomas approaching us. “That’s what happens when a corporal tries to conduct a war,” he said. “What now?” I asked. Oster looked at me in frank astonishment. “The Fuehrer is done for.”

Five stars. A bookclub recommendation.

978-0306808692

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THE SILENCES OF HAMMERSTEIN by Hans Magnus Enzensberger

TheSilencesOfHammersteinOne problem for any kind of writer is what to do about that character, or that person, who is not very talkative. Fiction writers have more tools in their toolbox for dealing with this issue. After all, one can always write the story in the first-person point of view of the silent person, thus allowing ourselves the luxury of all of those interior monologues that go on inside the character’s head when they are sitting there, silent, exasperating all those other characters who do not have the author’s privileged access.

But what do you do when you are writing a biography of a person who was noted for his silences? General Kurt von Hammerstein-Equord (1878-1943) served as Commander-in-Chief of the Reichswehr, and was famous for being a vehement opponent of Hitler and the Nazi regime. Strangely, he died in his bed, of cancer.

Perhaps his survival is due to the fact that, despite his loathing of Hitler, he wasn’t very communicative. He wasn’t in the habit of writing incriminating things down. And when he did speak, it was elliptically. He would turn to his second daughter, Marie-Therese and enunciate a list of names, just speaking them off. She knew well enough to understand that she was to get on her motorcycle and warn the people on his list (mostly Jews) that the Gestapo was after them.

During daily family gatherings, at the breakfast table, at the dinner table, KurtVonHammersteinHammerstein was noted for his silences. He never apparently spoke to his daughters about their political activities. Didn’t caution his eldest daughter Marie-Luise not to intervene on the behalf of Communist friends, nor admonish his third daughter Helga not to spy for the Soviet Union.

Which brings me back to my initial question, how do you write about such a person? Author Hans Magnus Enzensberger has come up with the novel solution of creating a collage. His biography reads more like a scrapbook that contains actual verified facts, suppositions, and imaginary interviews with his characters. Everything is clearly labeled so that the reader is aware of when they are slipping between facts and suppositions. But it creates a wonderfully complex, multi-layered portrait of a person, a family, a time and a place. What an imaginative solution to this problem! Five stars. A bookclub recommendation.

 

 

 

 

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BLOOD & ROSES by Helen Castor

Blood&RosesHardbackBlood&RosePaperbackIf you want a vivid portrayal of England during the Wars of the Roses, you should read this book.

Helen Castor has done a wonderful job of putting the Paston Letters into context, both historical and familial, so that in reading this book it is not only clear what is happening in England during the struggle between various noble families and the King of England, but how this impacted people like the Pastons, who were powerless when England degenerated into chaos, and greedy neighbors seized their lands.

In this readable book, you will meet the Pastons, and enjoy learning about their exploits as their vivid personalities dance off the page. Highly recommended. Five Stars. A bookclub recommendation.

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