SIGNORA DA VINCI is the story of Leonardo da Vinci’s mother Caterina. Hardly anything is known about her, only that her name was Caterina and that Leonardo was taken from her arms shortly after he was born.
Out of that lack of evidence, Robin Maxwell has spun a remarkable tale that vividly portrays life in northern Italy during the Renaissance. But the novel is uneven. It begins very well, with Caterina as the young daughter of an apothecary, who falls in love with a young nobleman (Piero da Vinci), bears his illegitimate child, and then has that child snatched from her. All of that was beautifully rendered.
The book lost me when we got to Florence and Caterina dresses as a man in order to be able to save her son, has an affair with Lorenzo Il Magnifico, and gets involved in Italian politics and heresy. There were many reasons for this:
- The second part of the novel deteriorated into a data dump of Florentine politics, with not enough attention paid to character and motivation.
- I never quite got why Caterina needed to dress as a man to save her son. After all, he was 16 nearly 17 when she showed up in Florence as an apothecary named ‘Cato’. In that day and age, he would have been considered an adult. And what 17 year old wants his mother hanging around, especially one who is cross-dressing?
- The love-affair with Lorenzo seemed contrived. If any of you have looked at his portrait (he’s the guy with the broken nose), you get a strong sense that this is someone you don’t mess with. So his characterization as a gentle, sweet soul didn’t ring true to me.
I hated the ending where Caterina sails off into the sunset on a boat headed for ‘India”, (really America), because it just seemed so corny. I would have preferred something more down-to-earth.
However, the ending shouldn’t stop you from trying this book. It is vivid, it is beautifully rendered (at least in the beginning), and if you like reading about Italian politics circa 1490, and don’t mind suspending disbelief, this is the book for you.
–Cynthia Haggard writes novels. She is currently seeking representation for ONE SEED SOWN, TWO MURDERS REAPED, the Richard III story told from the point of view of his mother. For more on her creative writing, go to spunstories. (c) 2011. All rights reserved.